AniBlurbs (Column)

Weave Identity is a very interesting component from Mozilla Labs (of Firefox fame) and a possible disrupting one for the Facebook Connect’s, OpenID’s and OAuth’s of this world:

“Offering a single sign-in solution for the web is currently a hot topic. Google, Yahoo, Facebook, MySpace and countless other sites are all offering to host your identity for you. Many of these key players on the social web are also offering tools to allow third-party sites to let you log in using the identity you have hosted with whoever your provider is – Google through FriendConnect, Facebook through Facebook Connect and Twitter through its recently debuted OAuth-based system. But in the end, who knows how long any of those sites will last? It seems to make more sense to hand these duties off to something more permanent than the hot site of the moment.

That’s where Mozilla’s latest implementation of Weave starts to make sense. You can store your credentials anywhere, including on Mozilla’s servers or your own web server.”

Source: WIRED’s Webmonkey

If the Weave add-on is implemented as a standard feature in the next version of the 2^nd largest browser in the world, it stands a reasonable chance of becoming THE default Online Identity Manager/Social Media Passport; allowing you to safely and seamlessly log in to your favourite Social Networks, blogs and communities, across multiple platforms (Windows, Mac OS) and various devices (think Mobile, Netbooks, Thin Clients).

All the while giving you complete and FULL control over your online identity (you can even store your Weave login credentials on your own server!), which positions it directly opposite of the Walled Garden approach that Facebook is fast becoming notorious for.

The ease of use, combined with the fact that your average internet user hasn’t even heard of Google-, Facebook- and Twitter’s Online Identity Management solutions make Firefox Weave a serious threat to the aforementioned parties. After all: Wouldn’t it seem more logical and feel safer for her to let the browser take care of her online identity?

“Something that often goes unsaid in the discussion about online identity is that while most websites right now require usernames and passwords, many people actually use the password manager feature in the browser-effectively turning their browser into a limited identity manager.”

Source: Mozilla Labs

By offering this One-Log-In-To-Rule-Them-All^TM feature as a standard option in the browser, much like Yahoo’s- or Google’s toolbar, a lot of the hassle and security issues associated with web based ID alternatives are removed from the user’s table:

“User experience in general suffers as protocols for federation (e.g. OpenID) involve complex redirects which jump the user from page to page and leave them open to phishing attacks…”

Source: Mozilla Labs

And there’s another major USP that promises a bright future for the Weave project: Firefox is an Open Source initiative, and even though OpenSocial, OpenID & OAuth are Open Source projects as well, Facebook, Twitter, MySpace, Google and Microsoft are commercial parties with a deep interest into becoming your single sign-in partner, so they can monitor the sites you visit and the time frame in which you did: pure data mining for marketing purposes. In a time where privacy issues are within everyone’s crosshairs, this could become Mozilla’s trump card in the battle for your Online Identity.

Of course, there’s nothing stopping Google (note that they have 300 Million accounts!) from implementing such a feature in Chrome -it’s very own browser- using Friend Connect, or Microsoft from doing the same with their Live toolbar/Live Passport and Internet Explorer. The point is that the former hasn’t yet managed to get any serious foot in the browser market. And though the latter is the current incumbent in browser market share (for now), it has failed for almost 10 years to make it’s .NET Passport/Live ID efforts a true cross-web success, even as younger initiatives from the likes of Facebook and twitter have taken off in the past year or so.

All in all, it’ll be very interesting to see how the developments around Identity Hosting continue to evolve…

[Update: Netlog now accepts Google FriendConnect, more on TechCrunch.]

Honda recently did a take-over on Vimeo.com which was much talked about by marketing insiders.

Instead of posting or explaining the concept here, I’d like to suggest you’d first take a look over on the site and experience it for yourself -especially if you’re a creative/interactive professional and haven’t seen it already.

[Performance warning: close down any other browser tabs/windows or any other application that has a direct net connection right now, I know I suffered from some serious lag the first time.]

Apart from the novelty(?) factor of this kind of creative content-integration, I’m not quite sure where the real added value for Honda and its customers lies in this particular case.

I’ll get back to that thought in a moment though; first I’d like to point to a section on the page that caught my attention. It clearly depicts how a viral starts spreading (see the 2 images below):

Honda Insight - Vimeo Take over Stats

The table contains the statistics of said video on a daily basis, i.e.: how many times it was watched, “liked” and how many comments were made on the page itself, all in relation to each other and non-cumulative (note that the numbers are displayed on a per day basis!).

Clearly, the usual exponential viral mechanisms are at work here, which is fascinating in of itself, yet I believe that despite these pretty impressive numbers this mini-campaign as is will not enjoy a widespread viewer base and live up to its true potential, mainly because of the following 4 reasons:

1. The content isn’t “spreadable”;
2. A lack of a clear call to action;
3. The quality of the content itself and
4. There’s no follow-up.

The content isn’t spreadable, technically speaking:
Notice how I didn’t embed the video right here as I usually would, instead referring you to Vimeo, because there was no other way you could undergo it the way it was meant to be experienced.

In other words: people will first have to go to the Vimeo page and have a true broadband internet connection(!) to experience it smoothly and in full effect; detach the video from the context of this page and it becomes just another (attempt at a) cool viral. Pure branding, zero capitalization of the ensuing conversations.

Nowadays it’s more effective to take a channel-neutral and/or federated content approach to reach out to your audience on the net, and part of that means making your content spreadable through widgets, embeddable video’s, etc.. The Vimeo video is embeddable of course, but the page -and thus the experience- is not.

There’s no call to action:
The concept itself doesn’t trigger the visitor to do anything: You just sit and watch, just like on TV…

The creative team apparently embraced the technological and creative possibilities that the internet offers in marrying video with a webpage, yet somehow failed to capitalize on the buzz that it generated and thus at the opportunity to generate leads.

Honda’s rich media take over is no interactive advertising but more akin to an online guerrilla advert, which could have been done offline, possibly generating more buzz and brand-awareness outside the digerati niche.

Then again, it was created by Wieden & Kennedy (Amsterdam), a traditional agency with it’s roots firmly grounded in offline advertising campaigns.

The quality of the content isn’t worth spreading:
If it’s aimed at the Marketing/Tech/Creative niche: they’re already accustomed to these “Breaking-The-4^th-Wall” take-over actions by now on YouTube or dedicated viral mini-sites, and this example isn’t remarkable.

If it’s not aimed at said niche, then one has to wonder why on earth it was posted on a niche social video site like Vimeo.com in the first place…

Adding all the numbers together from the stats image above, there are over a 1.750 likes, 300+ comments and 177.000 views generated in less than two weeks(!), pointing to a cult hit and/or people watching it more than once (it’s not clear whether Vimeo filters out non-unique views/cookies).

On the other hand, the numbers in the table don’t depict all mentions of the video across the Social Media space, and it was only posted a few days ago, so this is just merely the tip of the iceberg. Here’s hoping that Honda’s campaign team has access to social media monitoring tools from Radian6 or TrackUr and have activated their BackType Alerts to keep a clear overview.

All in all, in terms of buzz and people interacting with the page this is no bad example of content integration at all, it’s just a shame there’s no apparent follow-up or integration in, say, a 360˚campaign for maximum effect.

Now of course at this very moment we have no idea what Honda’s campaign objective was in the first place: It could be a proof of concept, trying it out for a small fee, with little risk, before scaling it up on YouTube allowing the numbers game to come into play, leading to massive exposure and off course more ways for the community and consumers/prospects to interact with the brand.

As I’m a firm believer in the merits of content-integration instead of plain display bannering, for me personally it will be very interesting to see how this plays out and if Honda will release an evaluation on their company blog or industry titles like Ad Age or ReadWriteWeb.

Microsoft dares to take a peek: fast forwarding 10 years into the future of the interwebs; location based services seamlessly integrated with flexible Miniware (thin-clients!) and all topped off with a sweet layer of Augmented Reality…

Very Star Trek indeed, yet, it shows us that beyond the technology, the real challenge is going to lie in syncing all these services from various international competitors (Open Source and Interoperability Standards anyone?) AND getting the User Experience Design perfect.

Check out the inspiring video below:

MS Office Labs 2019

Two short interviews with Sol Sender, the Design Strategist behind the excellent adaptable and strong brand identity of the US President-Elect Barack Obama, wherein he shares the history, strategic branding process and key take-aways thereof.

As stipulated by Karl Long in the original referring post over at FUTURELAB.net, this could become the most iconic brand identity of our time -even more so when we consider the various ways in which it was deployed: the ultimate contemporary case of product quality (the candidate AND his message) first and marketing perfection second in a sweet marriage with The Crowds if we ever saw one.

Bonus: For the nitpickers out there:  In part 1, pause at 06:46 to see a screenshot of an Outdoor Dummy on a Dutch Public Transport Company bus stop , taken in the city of Amsterdam! [hometown of yours truly ;) ]

Sol Sender – Obama Logo Design Part 1 of 2

Sol Sender – Obama Logo Design Part 2 of 2

Here’s the teams blog post

Original Post: http://experiencecurve.com/archives/new-rules-implied-for-developing-brand-identity-for-social-media

Lost for words… This has to be the single-most intuitive design overhaul that I’ve had the pleasure of experiencing on a screen, EVER. Period.

And what boggles the mind even more, is that this wasn’t a solo effort by the development team, but a joint-Crowd Sourced process with an astounding product-upgrade as a result.

Check out the short video below, outlining the latest improvements to WordPress, or download it here.

Upon stumbling on this screencast on ReadWriteWeb 5 minutes ago, immediately upgraded to WordPress 2.7, updated the database and… was plainly and simply blown away by not just the changes and tweaks in navigation & look-and-feel, but even more so by the plain flexibility of the dashboard; from this day onwards, I -the user- am in FULL control of each and every aspect of my own navigation/experience…

More often than not, we digerati/Tech pro’s tend to complain and outline major and minor faults with web-apps/IT environments (much to the chagrin of the development team behind it, alas that’s part of the job, innit…) so I really believe it’s only fair to take a deep bow when something comes along that does manage to tick every box and give credit to a team whom wouldn’t just settle for following every rule in the UDX rulebook, but decided to move those goalposts, in one fell swoop, to the level above and beyond the next level all together and set a new industry-wide benchmark…

So, again, hat tip to the WordPress Community/developers, for I can’t remember the last time that I’ve been as deeply impressed with a web-app or upgrade as not only a web professional but as an end-user as well (and judging by the techmeme/resonating echoes in the blogosphere this approval seems to be universal!)

“Code Is Poetry”

and all hope is not lost yet indeed ;)

Every once in a while something comes along that just… Works.

It can be a product or a service that manages to captivate you just for its sheer brilliance. Not by throwing around zillions of options and other complicated stuff, but by being functional and simple. Really simple. What’s even more rare to discover is a concept that is -in your eyes- so special that it needs to be heard, seen and talked about. Directly.

That something just came along for me a few minutes ago and I just had to share my thoughts on it and what this means for you, your product or service and your organization.

In this case it’s a website for people that like to dabble with producing music, either as a bedroom-producer or as a pro. As some of you may know, I’m quite the audiophile, so when I read about SoundCloud.com and their waveform-annotation concept on SignalvsNoise (37Signals Blog) this afternoon I just had to go and check it out. Serendipity soon followed :)

Note that I was at first purely and only interested by the waveform comment stream idea, wherein you see a visual of a WAV-file and friends or collaborators can leave time based comments on the spot, so the artist gets feedback on exactly which parts of a song sound cool and which parts need, say, a little more mastering to make the bass come out louder etc., etc. This can be shared privately or made public. Already big EDM names such as Funk D’void are using this service and having worked in this industry myself I can assure you that it will be picked up very soon by their respective followers.

What struck me as a huge surprise was not only the user friendliness of the site, both in design and in UI, but also the way the site communicates with me as a prospect. If I was a person who happened to be inexperienced with browsing the internet or using apps, this site would be happy to just gently guide me through the whole process, from the beginning. The funny thing is, the very core audience of this service is very tech- and web savvy!

The size of the fonts are big so I don’t need to squint to see them clearly, the color scheme and lay-out are clutter free and logical; the user is guided through a flowing process. In short: the usability is tops and I haven’t even started to use the service that this site was built for!

Now the thing that really was the icing on the cake for me was that when I went to my account preferences (first thing I always do when signing up for a new service since it contains the privacy settings etc.,) it gave me two relevant fields to fill in: My Discogs.com account and my MySpace artist account.

Bang! “The devil is in the detail”. In that instant moment you just know that this site hasn’t been made or thought up by cynical marketers, but that it was crafted by people who’re obsessed with music just like me and with a lot of LOVE. Aesthetically and conceptually everything fits together. Make no mistake; insiders recognize this kind of dedication and true devotion from miles away: in other words it’s authentic.

Take away: You can’t create authenticity by pushing a button or hiring a nifty PR spokesperson or consulting firm. You either are perceived by an audience as authentic or not, despite the fact that some marketers and self-proclaimed gurus would have the more gullible amongst us believe otherwise…

If you already know this, then why is that you’re still doing the opposite?

“Many regard J.P. Guilford as the father of modern creativity. At a psychology conference nearly 50 years ago, he held an attention-grabbing speech about creativity that sparked off a great interest in it. An interest that grows larger every year.

Guilford’s own story is an interesting one. He was a psychologist who, during the Second World War, worked on personality tests designed to pick out the most suitable bomber pilot candidates. In order to do this, Guilford used intelligence tests, a grading system and personal interviews. He was annoyed because the Air Force had also assigned a retired air force pilot without psychological training to help in the selection process. Guilford did not have much faith in the retired officer’s experience.

It turned out that Guilford and the retired officer chose different candidates. After a while, their work was evaluated and, surprisingly,the pilots chosen by Guilford were shot down and killed much more frequently than those selected by the retired pilot. Guilford later confessed to being so depressed about sending so many pilots to their deaths that he considered suicide. Instead of this course of action, he decided to find out why the pilots chosen by the retired pilot had fared so much better than those he had selected.

The old pilot said that he had asked one question to all the would-be pilots: “What would you do if your plane was shot at by German anti-aircraft when you were flying over Germany?” He ruled out everyone who answered, “I’d fly higher“. Those who answered, “I don’t know-maybe I’d dive” or “I’d zigzag” or “I’d roll and try to avoid the gunfire by turning” all gave the wrong answer according to the rule book. The retired pilot, however, chose his candidates from the group that answered incorrectly. The soldiers who followed the manual were also very predictable and that is where Guilford failed. All those he chose answered according to the manual. The problem was that even the Germans knew that you should fly higher when under fire and their fighter planes therefore lay in wait above the clouds, ready to shoot down the American pilots. In other words, it was the creative pilots who survived more often than those who may have been more intelligent, but who stuck by the rules!

Guilford suddenly realized that it was a talent to be able to think differently, unexpectedly, creatively, and so he decided to study this skill further. It was his aim to find a way of selecting the most suitable pilots by identifying those creative candidates who improvised and came up with unexpected solutions.”

Excerpt taken from The Ideabook. [PDF] Check out http://www.theideabook.org